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演员兼喜剧演员彼得·塞勒斯的职业和个人生活都是动荡的。他早期的电影名声主要基于他的喜剧人物塑造,这些人物通常是笨手笨脚、带有外国口音的人物,而他所体现的人物形象。随着他的电影名气的上升,他开始对电影角色失去自己的个人身份,导致他对自己作为一个人的自我怀疑,并不断需要保证和接受他的工作。这种自我怀疑表现为愤怒和许多人认为的傲慢。反过来,由于他的人物描述不断被用来掩盖他的问题,他的个人关系开始恶化。他的第一任妻子安妮·豪离开了他/与他离婚,他与父母和孩子的关系变得越来越疏远。他与第二任妻子、瑞典女演员布里特·艾克兰的关系就是基于这张面具。在他的晚年生活中,他试图重新发现自己和他的职业生涯,这个角色后来成为他的倒数第二个电影角色,在那儿的机会 (1979)。-Huggo
The professional and personal life of actor and comedian Peter Sellers was a turbulent one. His early movie fame was based primarily on his comic characterizations, often of bumbling and foreign-accented persons, characters which he embodied. As his movie fame rose, he began to lose his own personal identity to his movie characters, leading to self-doubt of himself as a person and a constant need for reassurance and acceptance of his work. This self-doubt manifested itself in fits of anger and what was deemed as arrogance by many. In turn, his personal relationships began to deteriorate as his characterizations were continually used to mask his problems. His first wife, Anne Howe, left/divorced him and his relationships with his parents and children became increasingly distant. His relationship with his second wife, Swedish actress Britt Ekland, was based on this mask. In his later life, he tried to rediscover himself and his career with what would become his penultimate film role, that of Chance in Being There (1979).—Huggo
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《彼得·塞勒斯的生与死/The Life and Death of Peter Sellers》(2004) - 4K/1080P/720高清蓝光下载
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