纪录片《切削刃 - 电影编辑的魔力 The Cutting Edge - The Magic of Movie Editing 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载

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纪录片《切削刃 - 电影编辑的魔力  The Cutting Edge - The Magic of Movie Editing 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载

The Cutting Edge - The Magic of Movie Editing

一般资料：2004年他人发表的艺术纪录片 - 英语叙述

信息“编辑是什么让电影胶片。”这种大众声明是在2005年关于电影编辑艺术的纪录片的初稿。听取许多编辑和董事，电影新手以及调温可能同意。 Kathy Bates叙述了这个艺术的旋风历史，打破了几十个场景，以说明薄膜编辑在提高现实中的效果，并对电影剪先生产生内脏的影响。事实上，这个专业似乎在“肠道”中是否正在削减几个框架，或者最终行为的20分钟（我们学会与Lenny发生）。 James Cameron说明了帧的重要性，因为我们看到从终止器2的场景，其中1帧丢失24缺失（表示一个镜头的24帧）。或作为昆虫塔兰蒂诺州S，“音乐家有票据，编辑有框架。”看看编辑是如何令人着迷的 - 在它被射击后组装电影的过程 - 可以节省电影，使表演更好，并成为最终的拼图游戏。当我们返回时间和地区的最着名的编辑时，最后一次概念被证明，沃尔特·默克（现在，英语病人），因为他在美国前面的冷山上编辑了几个场景。我们看看他如何用光，涵盖错误，并控制情感.Bullitt的动态编辑，突出的是它的扭曲，尖叫，山坡追逐序列，让观众咆哮和疣，获得了1968年最佳的电影编辑奥斯卡，并帮助制造了电影一个动作Classico Film编辑器工作这种魔法？这个迷人的计划让你在秘密。 “是什么让电影是一部电影是编辑的，”Zach Staenberg说，学院屡获殊荣的*矩阵Trilogy编辑器。特写，闪回，平行动作，慢动作，图像并置，这些只是几个工具，从一个国家的出生到纸条小说，战舰Potemkin对角斗士的恐怖主义者被Kathy Bates欺凌，以及谁是当代人的谁的访谈董事和编辑，尖端：电影编辑的魔力是，拍摄和框架后拍摄和框架，卷轴魔法。关于电影编辑技术规格的技术规范：'一般完整名称：the.cutting.edge.the.magic。 of .movi​​e.editing.x264.ac3.en.fr.es.subs.mvgroup.org.mkv格式：matroska文件大小：1.43 gib播放时间：1h 39mn比特率：2062 kbps编码d吃：UTC 2007-07-19 20:19:31写作应用程序：Mkvmerge v2.0.2（'你是我的火焰'）建于2007年2月21日23:40:55写入库：libebml v0.7.7 + libmatroska v0。 8.1副标题包括：英语，法语，西班牙语视频编解码器：MPEG-4 AVC编解码器：MPEG4 ISO高级配置文件：1H 39Mn宽度：720像素高度：480像素纵横比：1.850帧速率：23.976 FPS标准：NTSCAUDIO编解码器：AC3 Codec / Info：杜比AC3通道：2通道采样率：48 kHz撕裂：JVT40


纪录片关键词：
【切削刃 - 电影编辑的魔力，阿尔弗雷德希区柯克：在英国，博格曼和法罗岛，丹尼博伊尔：奇迹的人，亲爱的审查，史诗般的普查：一千名，游戏玩家革命，好莱坞收藏：克林特·伊斯特伍德 - 来自马尔帕索，伊朗的人 - 一种摄影革命，洛杉矶电影中黑色，我和我爸爸：John Boorman的一肖像】

【艺术，其他人，2004，英语】


The Cutting Edge - The Magic of Movie Editing,Alfred Hitchcock: Made in Britain,Bergman and Faro Island,Danny Boyle: Man of Wonder Extended,Dear Censor,Epic: A Cast of Thousands,Gamer Revolution,Hollywood Collection : Clint Eastwood - The Man from Malpaso,Iran - A Cinematographic Revolution,Los Angeles Film Noir,Me and Me Dad: A Portrait of John Boorman

Arts,Others,2004,English

General Information：
Arts Documentary   published by Others in 2004 - English narration

Information
"Editing is what makes film a film." That audacious statement is made at the beginning of this 2005 documentary about the art of film editing.
After listening to many editors and directors, movie novices as well as cinephiles may agree. Kathy Bates narrates this whirlwind history of the art punctuated by dozens of scenes to illustrate the effect of film editing in heightening reality and making a visceral impact on the filmgoer. In fact, the profession seems to be run on "a gut feeling" whether it's clipping a few frames, or 20 minutes of the final act (which we learn happened with Lenny). James Cameron illustrates the importance of a frame as we see a scene from Terminator 2 with 1 frame out 24 missing (24 frames representing one second of film). Or as Quentin Tarantino states, "musicians have notes, editors have frames."
It's fascinating to see how editing--the process of assembling the film after it's been shot--can save films, make performances better, and become the ultimate jigsaw puzzle. The last concept is demonstrated as we return time and again to the most well-known editor of the time, Walter Murch (Apocalypse Now, The English Patient), as he edits a few scenes from Cold Mountain in front of us. We see how he works with light, covers mistakes, and controls emotion.
Bullitt's dynamic editing, highlighted by its twisting, squealing, hill-leaping chase sequence that leaves viewers whooping and woozy, earned a 1968 Best Film Editing Oscar and helped make the film an action classic
do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing," says Zach Staenberg, Academy Award-winning* editor of the Matrix trilogy. Closeups, flashbacks, parallel action, slow motion, juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction, The Battleship Potemkin to Gladiator indelible
Narrated by Kathy Bates and with interviews of a who's who of contemporary directors and editors, The Cutting Edge: The Magic of Movie Editing is, shot for shot and frame after frame, reel magic.
More about Film Editing

Technical Specs
'Technical Specs:'General

Complete name: The.Cutting.Edge.The.Magic.Of.Movie.Editing.x264.AC3.en.fr.es.subs.mvgroup.org.mkv
Format: Matroska
File size: 1.43 GiB
PlayTime: 1h 39mn
Bit rate: 2062 Kbps
Encoded date: UTC 2007-07-19 20:19:31
Writing application: mkvmerge v2.0.2 ('You're My Flame') built on Feb 21 2007 23:40:55
Writing library: libebml v0.7.7 + libmatroska v0.8.1
Subtitles included: English , French , Spanish

Video

Codec: MPEG-4 AVC
Codec/Info: MPEG4 ISO advanced profile
PlayTime: 1h 39mn
Width: 720 pixels
Height: 480 pixels
Aspect ratio: 1.850
Frame rate: 23.976 fps
Standard: NTSC

Audio

Codec: AC3
Codec/Info: Dolby AC3
Channel(s): 2 channels
Sampling rate: 48 KHz
Ripped by: jvt40

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纪录片《切削刃 - 电影编辑的魔力  The Cutting Edge - The Magic of Movie Editing 》 - 纪录片1080P/720P/360P高清标清网盘迅雷下载

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